Showing posts with label story. Show all posts
Showing posts with label story. Show all posts

Tuesday, January 19, 2016

Rapid Eyes

My ex-girlfriend said I had a cold heart but a warm brain. The blood going to the wrong place. I always missed what was important, she said, with redness swelling in her cheeks in a similar misdirection of flow.

I imagine she intended this to hurt me. As a private investigator, my job requires that I notice significant details.

My latest case is a bit unusual. There’s this woman who won’t wake up, and her father is paying me to sit at her bedside. I told him, you don’t need a private investigator, you want a doctor, maybe even a priest, but he’d already consulted countless specialists, clergymen, etc., none of whom had any answers. Or maybe they had answers to spare, and yet somehow his daughter had not awoken. He preferred me, he said, because I didn’t pin my salary to promises about her wellbeing. I just got paid to watch.

She sleeps, and I watch.

When you’re tracking a missing person, one routine should be to wait around their known hangouts in the hopes that they show up. Only in this case, I’m looking at her body. Her last known sighting. A recently vacated building. But she might come back. 

I’m an insomniac, which is perfect for what’s required on a stakeout—a state of mild alertness. Everything passing through you. A man walking a dog, a trio of women, an empty street corner. All equal. Let it pass through you. Like an argument with your girlfriend. She’s shouting in your face, things like “autistic,” “emotionally garbled,” and the words float, forming in a cluster behind you.

I’m just taking in information. In this line of work, it’s very important not to be judgmental, but at the same time, it’s important not to get overwhelmed. Typically, as a PI, it helps me if I can work from behind a screen. A pair of binoculars. The windows of a car. A camera lens. Or the scrim that separates the awake from the asleep. 

Waiting for so long in a place that is so familiar to someone else but alien to you, you start to forget who you are. It seems strange that you could find someone as you were losing yourself. Maybe they need you to be the conduit to return to reality. As a PI, it is my job to be that conduit.

I could be upset. I could be bored. I could be sleeping. But you focus on the reality in front of you. Like when you’re dreaming—you accept everything. You wander through, so to speak, and only later do you think: how strange.

How strange, in the way that an elevator, carrying my ex-girlfriend upwards, could have been level, even for an instant, with an elevator on the opposite vertical course.

Like one set of eyelids lowering as another set ascends—in as deep a closure as a coma or as brief a relay as a blink.

Monday, March 5, 2012

Tree Hugger


[I wrote this story a few years ago. It still makes me chuckle.]

           “Okay,” the MC addressed the restless audience, “next we’ll be hearing from George Le Monde, author of The Bark is Worse than the Bite: The Treachery of the Tree.”
            A few people clapped. George Le Monde raised a big, stern finger.
            “Y’all are nice an’ tranquil now, but when the trees attack, then you’ll be sorry!” George exclaimed. “You’ll end up runnin’ for the hills—an’ you best hope there ain’t no trees out on that there hill!”
            “All right, now, George,” the MC interceded. “To start off, would you care to outline your Two-Step Tree Prevention Method for us?”
            “Yessir,” George said, calming slightly with this appeal to his expertise. “Ya see, to stop a crocodile, you clamp down on its jaw. To stop a tiger, you shoot it between the eyes. To stop a tree—you hug it!”
            In the audience, a man chuckled. George’s eyes went wide.
            “To stop a tree, you hug it!” he yelped. “That’s the first step! The second step is, you run like hell before it can gitcha!”
            “That’s just fine,” said the MC, and stole a glance at his watch. Four more minutes to go, he thought, and sighed. “That’s how you stop a tree, now, is it?”
            “It is,” said George solemnly. “Some folks think that the best way to stop a tree is to cut it down—but that just makes the rest of ’em angry!”
            “You’re making me angry, mister!” a woman shouted. “Trees are people just like us!”
            “Ma’am, if trees were people,” George said matter-of-factly, “then they would be psycho-murderers. An’ I think we got enough of those around here, now, don’t we?”
            “You one of them?” shouted a man from the audience. He got a few laughs.
            “I ain’t!” howled George. “I’m tryin’ to save y’all from the trees!”
            The MC looked at his watch again, and asked, vaguely, “George, have you yourself ever had a bad experience with a tree?”
            George nodded. “My brother Charley was killed by one of ’em, he was.”
            Startled, the MC looked back up at George. “He was?”
            George nodded again. “It fell on him.”
            “Did you push it?!” shouted the man from the audience. A few more laughs.
            George jumped out of his seat. The MC, concerned that his interviewee might hurt the man, jumped up, too, only to be knocked back down by a deafening crash. Pieces of plaster fell from the ceiling as an enormous tree ripped through the roof.
            George jabbed his meaty finger at the culprit. “It’s Leafy Red!” he shouted, spit flying from his mouth. “I been lookin’ fer ya! Ya killed my brother, and now you’ll pay!”
            The tree—a California Redwood—pitched forward with a demonic groan, but George was off the stage like a shot. He ran into the mass of screaming people and positioned himself directly under the trajectory of the tree. He thrust his hands upwards, and, before the tree could hit any bystanders, both of George’s massive arms were wrapped around its trunk in a gigantic hug.
            Splat!
            “I done hugged him to death,” moaned George from underneath the tree, “but Leafy Red, he took me down with ’im. Goodbye everybody. I’m glad I could prevent one more final catastrophe.”
And with that, he died.
            The MC looked at his watch. He groaned softly to himself. How was he going to kill three more minutes?

Monday, November 8, 2010

Genesis

My favorite story in the Torah is Genesis 1.

After that, things get exponentially less interesting.

In fact, I really only like the first ten verses in the Torah.

The chaos unformed and void is cool.

But the best state of affairs for the universe is when everything is water, with an inexplicable, indescribable expanse somehow separating, in directionless existence, the water above from the water below.

I imagine that this would be prime real estate for me.

Polarized. Expectant. Full of potential.

Charged with paradox. Ripe with concept. Impossible and pure.

And then land and vegetation comes in, and animals, and, worst of all, humans, which ruins everything.

I start to lose attention about then.

Give me the abstract any day. 

Broad strokes. 

I wonder why, in this story, God decides to create.

Why He did not stay content to dwell in the space of that second day. 

I prefer Him when He is at his most creative, before He starts to destroy anything, or take an interest in the affairs of man, which could be the same thing.

In the Kabbalistic tradition, God is Light without End, and creates the universe by receding, leaving space for us to exist.

If God were to return, He would obliterate everything, because God is total.

When I was a kid in Sunday school, we were asked to draw what we thought God looked like.

I drew a white man with a white beard.

Other people drew wind blowing and shit like that.

It was then that I first realized that I had a problem with authoritarianism.

With believing what people told me, and following what they told me to do, and actually believing that I myself had originated those commands in the first place.

And that I was not, in fact, the most creative person in the room, but just as capable of closed-mindedness and fear as anybody else.

But I still believed that God talked to me, and that the leaves had feelings and thanked me for not crushing them on my way to school.

That my imagination was as real as anything else.

The world was so much more alive back then.

I played with plastic robots I had made out of tinker toys, and invented a television show for us to star in inspired by Deep Space Nine and Mystery Science Theater 3000.

I called this show, which I was obsessed with, Space Out.

After years of this, I eventually realized that my toy robots were never going to be onscreen, and so I sadly let them go.

It took too many more years after that to let go of the idea of God.